温雅:曾巩诗学的审美追求

Gentle and Cultivated: Zeng Gong’s Aesthetic Pursuit of Poetics

曾巩的诗歌总体而言是绝句最为有诗味;律诗次之;古体最像散文,多为记事。在现存的400余首诗歌中,不仅有充实的内容思想和生活感受,而且还体现出回归雅正的创作趋势。一是"老觉诗书味更长"。曾巩在追求醇儒人格的过程中,必然会在文学创作中形成"儒雅"的风格或特点。二是"深识幽人风义厚"。曾巩很少直接讨论诗歌的文章,但是他的诗歌中常常透露深厚的儒家学养和醇厚的诗风追求。三是"一编吾喜窃窥观"。将话说尽,将道理讲透,构成曾巩诗文的基本特色,这也符合宋代诗文从五代衰弱文风中崛起的时代潮流和要求。曾巩用诗歌创作阐述雅正的回归,并在温雅中体现出醇儒的平正。

in general, Zeng Gong’s poetry had the most poetic taste of a poem of four lines, followed by a poem of eight lines.The most ancient style was like a prose, mostly for the record. Among the more than 400 poems in existence, there are not only substantial contents, thoughts and life feelings, but also a trend of returning to elegance and righteousness. Firstly, in his pursuit of Confucian personality, Zeng Gong would inevitably form the style or characteristics of "Confucianism" in his literary creation.Secondly, he rarely discussed poetry directly, but his poems often revealed a deep Confucian upbringing and a rich poetic pursuit.Thirdly, the basic characteristics of Zeng gong’s poems were to say all the words and explain the truth thoroughly, which was also in line with the trend and requirement of the times when the Song dynasty poetry emerged from the weakness of the five dynasties. Zeng Gong expounded the return of elegance with his poetic creation, and reflected the evenness of mellow Confucianism in elegance.