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黄独峰的神仙鱼

Angelfish in Huang Dufeng’s Paintings
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摘要 黄独峰的神仙鱼为中国花鸟画增加了新的题材。他不断写生与创新为神仙鱼这一题材提供了优秀的范本。黄独峰的神仙鱼经历了三个阶段:风格探索时期岭南画派影响下重渲染、色彩鲜丽、造型准确但略微呆板的神仙鱼;成熟时期张大千传统中国画技法影响下笔墨运用自如,色彩对比强烈,动势丰富的神仙鱼;化境时期造型简括,笔法恣肆老辣的神仙鱼。无论哪个时期的神仙鱼都离不开他写生与创新的精神。 The angelfish in Huang Dufeng’s paintings adds a new theme to Chinese flower-and-bird paintings.His constant sketchings and innovations provide excellent templates for the angelfish theme.The angelfish in Huang Dufeng’s paintings has gone through three stages.The period of style exploration during which the angelfish in Huang Dufeng’s paintings was characterized by various skills of bright colors,acurate and slightly dull shape,under the influence of Linnan Painting School.The period of maturity during which the angelfish in Huang Dufeng’s paintings was characterized by consumate skills of brush and ink,strong color contrast and dynamic image(s),under the influence of Zhuang Deqian’s traditional Chinese painting skills.The periond of perfection during which the angelfish in Huang Dufeng’s paintings was characterized by simple shape,perfect brush skills.His spirit goes through his whole artistic career.
作者 姜思琪 JIANG Si-qi(School of Chinese Painting,Guangxi Arts University,Nanning Guangxi 530007)
出处 《贺州学院学报》 2020年第3期44-47,共4页 Journal of Hezhou University
基金 广西艺术学院研究生师生科研创作项目“明清至近代美术的风格转型及理论变迁”(2020XJKY12)。
关键词 黄独峰 神仙鱼 艺术特征 Huang Dufeng angelfish artistic characteristics
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