怀疑-悬置-还原的“混沌”诗学模型——评余怒诗集《蜗牛》

Chaotic Poetics with the Model of Doubt-Suspension-Reduction:An Evaluation of Yu nu’s Poetic Anthology Entitled Snail

作为诗评家笔下“20世纪90年代的一个诗歌现象”,余怒在当时及其后二十余年中,始终坚持在诗歌与理论两方面深耕。以一整套理论设想与文本实操建构起一个基于“怀疑-悬置-还原”的“混沌”诗学模型,为现代汉诗写作的拓展提供了某种良机。其2019年新出版的诗集《蜗牛》虽颇有创新,但在根本诗学理念上仍是对上述模型的一以贯之。

As“a prevailing poetic phenomenon in the 1990s”,Yunu achieved highly in both poetic creation and peotic criticism in thirty years with beginnig in 1990s.He created a chaotic Poetics with the model of Doubt-Suspension-Reduction,based upon a set of theoretical assumption and poetic creation.Published in 2019,his poetic anthology entitled Snail is an innovative expression his chaotic poetics with the model of Doubt-Suspension-Reduction.