吉样文化与景德镇陶瓷艺术图式

Auspicious culture and Jingdezhen Ceramic Art schema

“求全求美、求吉求福”长久以来一直都是中华民族文化之中的重要审美观。而理想之“尽善尽美”器物化身,瓷器从古至今一直都是吉祥寓意的“负载者”;景德镇陶瓷艺术品作为其中著名产品,更成为了诸多吉祥文化符号的承载之器。本文从景德镇陶瓷艺术所具备的审美意识受到吉祥文化的影响这一方面入手,梳理而这只兼存在的缘由关系;此后则进一步研究景德镇陶瓷艺术特征受到吉祥文化的影响状况,从造型形态、语义象征、装饰色彩之类角度来重点论述景德镇陶瓷艺术受到吉祥文化的“图式化影响”之状况。

"seeking perfection,beauty and good fortune" has long been an important aesthetic concept in Chinese culture.As the embodiment of the ideal "perfect" utensils,porcelain has always been the "bearer" of auspicious implication since ancient times;as one of the famous products,Jingdezhen ceramic artworks have become the carrier of many auspicious cultural symbols.This paper starts from the influence of the auspicious culture on the aesthetic consciousness of Jingdezhen ceramic art,and combs the relationship between the two;then it further studies the influence of the auspicious culture on the characteristics of Jingdezhen ceramic art,and mainly discusses the influence of the auspicious culture on Jingdezhen Ceramic Art from the aspects of shape,semantic symbol and decorative color "Schema influence".