摘要
狭义的"音乐本体"是相对于"音乐形态"而言的,是指除去音乐外在表象的音乐内在音响,包括音高、节奏、节拍、强弱、速度、和声、调式、调性、曲式、配器等要素。作为时间艺术,音乐与城市规划的联系好像不甚紧密,也鲜有透过音乐本体视角对城市规划进行研究和分析的先例。本文旨在明确从音乐本体探讨规划问题的可能性与可行性,梳理二者的关系,并试图从音乐本体角度对城市规划发展进行建议性探讨。
The narrow sense of"music noumenon"is relative to"music form",which refers to the music internal sound elements excluding the external appearance of music,including pitch,rhythm,beat,strength,speed,harmony,mode,tonality,music form,orchestration and other elements.As an art of time,music doesn’t seem to be closely related to urban planning,and there are few precedents to study and analyze urban planning from the perspective of music ontology.The purpose of this paper is to clarify the possibility and feasibility of exploring planning issues from music ontology,and to sort out the relationship between them,then try to put forward suggestions for developing urban planning from the perspective of music ontology.
作者
赵航
Zhao Hang(School of Civil and Architectural Engineering,Xi’an University of Technology,Xi’an Shaanxi 710048,China)
出处
《城市建筑》
2020年第25期70-73,共4页
Urbanism and Architecture
关键词
音乐本体
城市规划
比例关系
学科借鉴
music ontology
urban planning
proportional relationship
subject reference