明代江南地区绘画中心位移与画风流变

The Geographical Shift of the Center of Painting and Change of Painting Style in Jiangnan Area in the Ming Dynasty

绘画作为一种文化现象,是时间和空间的文化产物,既受时代变迁的影响,又受地域环境的制约。明代江南地区的画坛,绘画中心位移受政治、经济、地理环境等因素影响突出,位移轨迹和范围主要集中于杭州、苏州、南京、扬州、徽州等区域。受此影响,明代江南地区画风的发展流变也体现出鲜明的时代性和地域性,并对清代及近代画坛产生影响。从时间和空间的共同关注下探究明代江南地区绘画中心位移与画风流变,把握绘画中心的空间位移轨迹与位移动因,梳理画风的发展脉络,有利于拓宽中国绘画史研究视角,进一步深化中国绘画史的研究。

As a cultural phenomenon,painting is a cultural product of time and space.It is not only affected by the changes of the times,but also restricted by the regional environment.In the Ming Dynasty,the geographical shift of the center of painting in Jiangnan area,a geographic area in China referring to lands immediately to the south of the lower reaches of the Yangtze River,was influenced by political,economic and geographical factors.The track and scope of such a shift were mainly concentrated in Hangzhou,Suzhou,Nanjing,Yangzhou,Huizhou and other regions in the immediate vicinity.Influenced by this,the development and change of the painting style in Jiangnan area in the Ming Dynasty also showed distinct characteristics of the times and localities,leaving an impact on the painting art creations of the Qing Dynasty and even contemporary art circles.Addressing the common concern of time and space,this paper explores the geographical shift of the center of painting and change of painting style in Jiangnan area of the Ming Dynasty,with a view to unveiling the track and motivation of such spatial shifts and straightening out the development vein of painting style.Results of this research are conducive to broadening the scope and depth of research on Chinese painting history.