反思与开拓:上海词学研究70年述评

Reflection and Development:A Review of 70-Year Study on Ci-Poetry in Shanghai

新中国成立以来上海词学研究可分为转型期、繁盛期和发展期。上海词学在转型期前一阶段有着重思想内容轻艺术特征、重豪放轻婉约的特点,后一阶段则进入沉寂。在繁盛期,上海词学界开始了对前期研究的反思与开拓,在美学热、方法热的影响下产生了一批研究成果。进入发展期后,词学界在研究时往往伴随着回归历史语境和民族话语本位的思考,力求消解以逻辑自洽为目标的“强制阐释”,“中观”研究开始流行,明清及民国词渐渐成为热点。上海词学研究在文献整理、词人研究、词乐研究等方面均取得了一定的成果,其研究群体具有多样性和传承性,形成了代代相传的词学传统。

The study of ci-poetry in Shanghai since the founding of the People's Republic of China can be divided into three stages:transition,prosperity,and development.In the transitional period,the study of ci-poetry in Shanghai focused more on ideological content than on artistic characteristics,and more on the style of“haofang”(the bold and unrestrained)than“wanyue”(the graceful and restrained).During its prosperous period,the study of ci-poetry in Shanghai began to reflect on the previous research.Driven by the fever for aesthetics and methodology,Shanghai has witnessed fruitful production of scholarly works on ci-poetry.After entering the stage of development,lexicologists often conduct research with a reference to such ideas as returning to the historical context and nationalist discourses,with an attempt to get rid of“imposed interpretation”that is justified by its internal logic.In the meantime,the“view of medium”study becomes popular.Ci-poetry of the Ming and Qing dynasties and the Republic of China has gradually become the focus of academic research.Accomplishments have been made in areas such as literature collation,poet studies,and musicology.The scholarly community of ci-poetry studies in Shanghai is marked by diversity and continuity,which has formed its own academic tradition passed down from generation to generation.