宋元明时期的《长江万里图》:历史、地域与文化共同体

The History,Region and Cultural Community around the Paintings of Ten-Thousand-Mile Yangtze River during the Song,Yuan and Ming Dynasties

宋元明时期,《长江万里图》集结出现,一方面,精英文人的绘画与诗文题跋共同形塑长江意象,构建以长江地域和历史认同为核心的文化共同体,极大地强化了民族存在感、认同感;另一方面,长江图进入晚明的图谱类书,转化为可供大众消费的文化产品,通过版刻的复制、再现和传播,在公共传播领域扩大影响,成为被广泛接受的文化意象和国家象征。

During the Song,Yuan,and Ming dynasties,there emerged in large numbers of paintings under the title of Ten-Thousand-Mile Yangtze River.On the one hand,these paintings with inscribed poems and essays by elite literati collectively shaped the image of the Yangtze River,and established a cultural community with regional and historical identity centering on the Yangtze River.This greatly strengthened the sense of national identity and its presence.On the other hand,these paintings were collected into classified books as encyclopedic references during the late Ming dynasty,and became cultural products for mass consumption.Through copying,reproduction and dissemination of engravings,the paintings entitled Ten-Thousand-Mile Yangtze River expanded their influence in the field of public communication,and became a widely accepted cultural image and national symbol.