拉魂腔释义

Interpretation of Soul-pulling Cavity

拉魂腔主要流布于苏、鲁、豫、皖四省交界的淮海地区。从广义上讲,“拉魂腔”这一概念泛指一种“腔调”“声腔”艺术;从狭义上讲,“拉魂腔”这一概念指拉魂腔声腔系统下的具有地方特色的剧种。作为“腔调”的拉魂腔,由淮海地区乞讨者乞讨时的方言用语声调衍化而来,与淮海地区的方言声调有着极为密切的关系。作为“声腔”的拉魂腔是指那些具有代表性且常用的拉魂腔主腔。作为“剧种”的拉魂腔,属于三大声腔类型中的“歌舞类型诸腔系和民间说唱类型诸腔系”的地方剧种。拉魂腔戏曲艺术遵循从“腔调”到“声腔”再到“剧种”的发展理路,是我国戏曲艺术发展的缩影。

Soul-pulling Cavity is mainly distributed in Huaihai region at the border of Jiangsu,Shandong,Henan and Anhui.Broadly speaking,the concept of“Soul-pulling Cavity”generally refers to an art of“accent”and“sound cavity”;In a narrow sense,the concept of“Soul-pulling Cavity”refers to operas with local characteristics under the Soul-pulling Cavity system.As a“tune”,the Soul-pulling tune is derived from the dialect tone of beggars in Huaihai area,which is closely related to the dialect tone in Huaihai area.As the“sound cavity”,the soul-pulling cavity refers to the representative and commonly used main cavity of soul-pulling cavity.As a“drama type”,the soul-pulling opera belongs to the local opera type of“singing and dancing opera types and folk rap opera types”.The art of soul-stirring opera follows the development path from“accent”to“voice”to“drama type”,which is a microcosm of the development of Chinese opera art.