吴昌硕艺术思想探析

An Analysis of Wu Changshuo’s Artistic Ideas

吴昌硕的艺术思想决定了其艺术作品的风格,反之,他的艺术作品亦反映其艺术思想与理念。吴昌硕艺术思想的核心:一是借古开今的艺术观,即在追求古意的基础上进行创新,彰显自我;二是“画气不画形”的艺术理念,即突出“神、意”的重要性,同时又以“形”为基础;三是诗书画印为一体的艺术融通观,即艺术相融相通的思想。与同时代其他艺术家相比,吴昌硕的艺术思想与创作更显深厚与独到,并深刻影响后世艺坛,在中国近代艺术史上具有承前启后、继往开来的地位和作用。

Wu Changshuo’s artistic ideas determines the style of his artworks.On the contrary,his artworks also reflect his artistic thoughts and concepts.The core of Wu Changshuo’s artistic ideas:First,the artistic concept of borrowing from the past:to innovate on the basis of pursuing ancient meanings to show oneself.The second is the artistic concept of“painting the spirit but not the shape”:emphasizing the importance of“vividness and will”and“Shape”at the same time.The third is the concept of the integration of poetry,calligraphy,painting,and printing,that is,the idea of the integration of art.Compared with contemporary artists,Wu Changshuo’s artistic thoughts and creations are more profound and original,and they have a profound influence on the art world of later generations.He has a position and role in the history of Chinese art as a link between the past and the future.