摘要
作为一个颇具理论意义和实践价值的审美范畴,"典雅"在中国古典美学与文论中占据着重要位置。通过分析经典文献对"典雅"范畴的阐释,不难发现"典雅"是儒道传统文化精神交织相融、互补共生的产物。这也是"典雅"之所以能成为中国古典美学和文论的核心范畴而备受重视的原因之所在。基于此,无论是作为文艺创作的风格追求,亦或是作为理想人格的典范目标,"典雅"对于我们作文、为人皆有着积极的范导性作用。
As an aesthetic category with theoretical significance and practical value,"elegance"occupies an important position in Chinese classical aesthetics and literary theory.By analyzing and interpreting the classical literature’s interpretation of the category of"elegance",it is not difficult to find that"elegance"is the product of the interwoven and complementary coexistence of the traditional culture spirit of Confucianism and Taoism.This is also the reason why"elegance"has become the core category of Chinese classical aesthetics and literary theory.Based on that,"elegance"plays a positive guiding role in both writing and acting,whether as the style pursuit of literary and artistic creation or as the model goal of ideal personality.
作者
张慧敏
ZHANG Huimin(School of Literature,Xi’an University of Architecture and Technology,Xi’an 710055,China)
出处
《广西科技师范学院学报》
2020年第5期24-27,共4页
Journal of Guangxi Science & Technology Normal University
关键词
典雅
创作风格
人格风范
儒道合一
elegance
writing style
personality style
a fusion of Confucian and Taoism