“天道”与“人道”互融——先秦时期楚国设计艺术的造物思想探析

The Fusion of"the Way of Heaven"and"the Way of Humanity"——On the Creation Thought of Chu's Design Art in the Pre-Qin Period

楚国设计艺术承载着从庶民到贵族的审美品位与意识形态,集浪漫优雅、庄严厚重、神秘艳丽、文化表意于一身,融汇了世袭工匠的细心谋划、精湛巧技、主观体验与感性知识。其造物语境、造物动因、造物方法、造物特征、造物理想均充满着人为的因素与思想的智慧,蕴含着“物——用”“象——类”“道——器”“天——人”等多重关系,从一定程度上协调了人与人(统治阶级与庶民百姓)、人与物、人与自然、人与社会之间的伦理关系。

the design art of the state of Chu carries the aesthetic taste and ideology from the common people to the aristocrats.It integrates romantic elegance,solemnity,mystery and beauty,and cultural expression,and integrates the careful planning,exquisite skills,subjective experience and perceptual knowledge of hereditary craftsmen.Its creation context,creation motivation,creation method,creation characteristics and creation ideal are full of human factors and wisdom of thought,which contains multiple relations such as"material-use","image-type","Taoinstrument","heaven-human",etc.to a certain extent,it coordinates the ethical relations between people(ruling class and common people),people and things,man and nature,man and society Department.