宋代“满池娇”纹样的起源及流变

The origin and evolution of "lotus pond scene" pattern in Song dynasty

“满池娇”纹样自宋代以来,便是中国装饰纹样中应用最为广泛的传统纹样之一。通过对早期史料与装饰图案的整理,总结出“满池娇”纹样形成,经历了由早期佛教绘画元素到花鸟画目题材再到装饰纹样的演化,呈现出了中国传统装饰纹样在发展过程中的延承关系。文章结合宋代特殊的时代背景,梳理出“满池娇”纹样受辽、金文化的影响,形成了结构样式更为丰富,兼具草原文化与农耕文明特质的新风貌,这一纹样在元代的传播反映出了异域文化与传统文化交流融合的历史意义。

The"lotus pond scene"pattern has been one of the most widely used patterns in Chinese history since the Song dynasty.By summarizing historical materials and decorative patterns,it is found that the formation process of the"lotus pond scene"pattern experienced the evolution from early Buddhist painting elements to flower-bird painting themes and decorative patterns.This process presents the inheritance relations of Chinese traditional decorative patterns.In combination of special historical background of Song dynasty,due to the influence of Liao and Jin cultures,the"lotus pond scene"pattern formed a new style with richer structures and the characteristics of grassland culture and agriculture civilization.The spread of this pattern in Yuan dynasty reflects the historical significance of the communication between foreign culture and traditional culture.