摘要
郎世宁创作并题有乾隆诗作的《平安春信图》是清代宫廷绘画中的一幅关键作品,与养心殿西暖阁西壁贴落及另一幅"双胞胎"挂轴具有共同的核心图像。这组画作近年引起学者们的热切关注,研究者对其内容提出了许多不同解释。本文的目的是重返作品本身,注目于画作的形式、比例、色彩等方面,并发掘与创作过程有关的档案材料。同时,作者以《平安春信图》上一个被忽视的图形为切入点,思考了其创作动因及与其他两幅画的关系。
The painting of ’Spring’s Peaceful Message’(Ping An Chun Xin Tu in Chinese pinyin)created by Giuseppe Castiglione and inscribed with Emperor Qianlong’s(乾隆) poem is among the masterpieces of the Qing court.Its central image reappears in two other works,an architectural tieluo mural in the west side-chamber of the Yangxin Palace and a hanging scroll with a "twin" composition.This group of paintings has stimulated heated discussions in recent years,generating many different opinions about their content.This essay aims to return to the work itself,focusing on its form,proportions,color,and other attributes,and also to discover archival evidence concerning its creative process.Inspired by an intriguing feature of Springs Peaceful Message,the author speculates on the purpose of this painting and its relationship with the other two works.
出处
《故宫博物院院刊》
CSSCI
北大核心
2020年第10期250-262,349,共14页
Palace Museum Journal
关键词
平安春信图
郎世宁
乾隆
通景画
养心殿西暖阁
the painting of‘Spring’s Peaceful Message’(Píngān Chūn Xìn Tú)
Giuseppe Castiglione
Qianlong
tongjing painting
the west warm-chamber of the Yangxindian Hall
