摘要
本文以清初画家王鉴的交游创作为脉络,梳理了明末清初南北方书画鉴藏界的关系网络,其中既包含传统文化世家、收藏家,也包括古董商和好事者,一方面,他们相互观赏或买卖书画,在民间形成一定的鉴赏风气和商业网络;另一方面,画家通过参与鉴赏活动,得以开阔视野,促进了其艺术风格的变化。王鉴就是在这一过程中,形成由追仿董巨"元四家"向泛宗多家绘画风格的转变。
Following the early Qing painter Wang Jian’s friends circle and artistic works,the thesis is intended for understanding of the south-north network of appreciators and collectors of Chinese painting and calligraphy,who were from the traditional culture family for generations,or collectors,or dealers,or busybodies.The artists appraised each others’ collections or did paintings and calligraphy business with each other,which inspired people’ s taste in fine arts appreciation and the business network after that.On the other hand,they learned about the diversity of masterpieces from a broader perspective meanwhile,then,which made them learn to change in art style anyway.Wang Jian was getting to pursue for the art styles of many schools more than that of Dong Yuan,Ju Ran and the ’four maters of the Yuan dynasty’ thereafter.
出处
《故宫博物院院刊》
CSSCI
北大核心
2020年第10期307-322,350,共17页
Palace Museum Journal
关键词
画家
收藏家
风格原型
painter
collector
source of art style