摘要
据造办处活计档记载,养心殿屏风后的照壁(又称罩壁)上曾先后贴过"油画鹿"、"老虎画"和《百鹿图》,其中《百鹿图》留存至今。本文结合档案查证出《百鹿图》的作者、创作时间及粘壁沿革,指出贴于养心殿私密位置的《百鹿图》,不是简单意义上的动物题材画,而是幅反映乾隆帝的室内装潢趣味及企盼寿享遐龄的吉祥作品。
As is recorded in the historical files of the imperial workshop, there used to be three pieces of decorative paintings such as ‘Deers on Canvas’(Yóu Huà Lù), ‘Tigers’(Lǎo Hǔ Huà) and ‘Deers’(Bǎi Lù Tú) successively stuck on the screen wall behind the folding screen of the Yangxindian Hall. This thesis focuses on the only one survival ‘Deers’(Bǎi Lù Tú) for discussion about its creator, date of creation and the history it was kept in the Yangxindian Hall. It is studied that such a Tieluo painting ‘Deers’(Bǎi Lù Tú) which was placed in the private area of the Yangxindian Hall is the representation of Emperor Qianlong’s taste of interior decoration and wishes for health and longevity more than a piece of animal painting.
出处
《故宫博物院院刊》
CSSCI
北大核心
2020年第10期332-341,351,共11页
Palace Museum Journal
基金
故宫博物院养心殿《怀抱古今:从养心殿陈设看清代皇帝的艺术审美和家国情怀》课题的阶段性成果之一。
关键词
养心殿《百鹿图》贴落
乾隆帝
油画鹿
老虎画
长寿
the screen wall of the Yangxindian Hall
‘Deers’(Bǎi LùTú)
Emperor Qianlong
‘Deers on Canvas’(Yóu HuàLù)
‘Tigers’(Lǎo HǔHuà)