摘要
任何文化都会依据其自身的价值规则或禁忌,在语言系统内部建立起其语义结构和形式“语法”。文学语言及其文体形式就是不同文化的语义结构和形式“语法”的外在呈现。尽管文化习俗有时会成为人们的精神枷锁,但作家一旦将这种语义结构和形式“语法”内化为心智,就会生成一种近乎直觉的审美能力,成为自己的“文化之眼”。所以,一个文化大变迁时代也必然是一个文体大转变时代。现代文学正是依托理性思维与多种文学叙事中所内含的文化直觉,来共同完成对世界与历史的拟人化对话。作家在艺术想象中所依赖的文化直觉,以及他们在文学叙事中所呈现的话语独特性,都证明了文化与文体、思维与语言之间具有极强的互塑性。
All cultures establish their semantic structures and formal“grammar”within their language in accordance with their values or taboos.Literary language and style are external presentation of the semantic structure and formal“grammar”of cultures.Although cultural customs can sometimes become mental shackles,once writers internalize the semantic structure and form“grammar”into intelligence,they develops an almost intuitive aesthetic ability,which become their“cultural eye”.Therefore,an era of great cultural change is bound to be an era of great stylistic change.Modern literature relies on rational thinking and cultural intuition inherent in various literary narratives to complete its dialogue with the world and history.The cultural intuition that writers rely on in their artistic imagination and their unique discourses in literary narration prove that there is strong interplay between culture and style,thinking and language.
作者
汤奇云
TANG Qi-yun(College of Humanities,Shenzhen University,Shenzhen,Guangdong,518060)
出处
《深圳大学学报(人文社会科学版)》
CSSCI
北大核心
2020年第6期136-144,共9页
Journal of Shenzhen University:Humanities & Social Sciences
基金
国家社科基金项目“‘文心’嬗变及其文化审美机制研究”(19BZW025)。
关键词
语言
艺术思维
结构主义
文体
“文化凸透镜”
language
artistic thinking
structuralism
style
“cultural convex Lens”