东方神话与自然复魅:贵州少数民族题材电影的文化想象分析

Oriental Mythology and Natural Re-enchantment:An Analysis of Cultural Imagination of Guizhou Minority Films

随着全球化和现代性的演进,少数民族题材电影在国内外电影洪流中凭借自身文化根基与民族特色独树一帜,促进着中国影视行业的发展。贵州少数民族题材电影通过对贵州民族风俗文化、中国神话文学的嫁接、移植、改造、颠覆,以及对传统文化的视觉造型设计实现贵州少数民族生态智慧与电影创作,同时建构少数民族地域空间的想象性,使贵州少数民族题材电影成为东方神话与自然的复魅。

With the development of globalization and modernity,minority films have become unique in the flood of films at home and abroad with their own cultural roots and national characteristics,which promotes the development of China′s film and television industry.Through grafting,transplanting,transforming and subverting Guizhou′s ethnic customs and culture and Chinese mythological literature,as well as visual modeling design of traditional culture,Guizhou minority theme films can realize the ecological wisdom and film creation of Guizhou minorities,and at the same time construct the imagination of minority regional space,making Guizhou minority theme films become the re-enchantment of oriental myth and nature.