欣赏舞蹈作品《桃夭》来浅谈隋唐时期的舞蹈审美意识

According to the DanceWork“Tao Yao”to Talk About the Dance Aesthetic Consciousness in the Sui and Tang Dynasties

隋唐盛世的辉煌时代,在各个方面都体现着承前启后,兼容并包的多民族文化观念。经济的高度发达促使了文化的繁荣和艺术的璀璨。唐代是具有创造性,艺术性,诗性,文化性的时代。尤其是唐代的乐舞更是将古代舞蹈艺术推向巅峰。本文是阐述隋唐时期的文化背景,欣赏舞蹈作品《桃夭》,分析作品中的人物形象之“真”“善”“美”;动作语汇之“阳刚美”“阴柔美”;服饰特征之“形式美”“修饰美”“艺术美”这三大方面,来体会隋唐时期独有的审美意识。

The glorious era of the Sui and Tang Dynasties embodies the inclusive multi-ethnic cultural concept in all aspects.The highly developed economy has promoted the prosperity of culture and the art.The Tang Dynasty was an era of creativity,artistry,poetic feature,and specific culture.Especially the music and dance of the Tang Dynasty pushed the ancient dance art to the peak.This article explains the cultural background of the Sui and Tang Dynasties,appreciates the dance work"Tao Yao",analyzes the"truth","goodness"and"beauty"of the characters in the work,the"masculine beauty"and"feminine beauty"of the action vocabulary,the three aspects of"formal beauty","modification beauty"and"artistic beauty"are to experience the unique aesthetic consciousness of the Sui and Tang Dynasties.