人民:作为一种美学建构——论郭沫若文学创作中的对话倾向

People:As an Aesthetic Construction On the Dialogic Tendency in Guo Moru's Literary Creation

从少年时代起,郭沫若就试图建构一种以“对话”为特征的审美观念,这一审美观念并不是仅仅存在于其文学创作上,更是存在于其社会实践中。在建构“对话”的过程中,郭沫若自觉地服膺于无产阶级革命理论,并将“人民”作为其审美理想的最高旨归。在与人民沟通的过程中,郭沫若不断对自己的思想进行清理和整合,尝试将文学创作与社会实践相结合,这也是贯穿郭沫若一生的一条重要线索。

Guo Moruo has tried to construct an aesthetic concept characterized by“dialogue”since his youth,which is not only in his literature,but also in his social practice.In the process of constructing“dialogue”,Guo Moruo consciously accepted the proletarian revolutionary theory and regarded“the people”as the highest purpose of his aesthetic ideal.In the process of communicating with the people,Guo Moruo constantly cleans up and integrates his thoughts and tries to combine literature with social practice.And this is also an important clue throughout his life.