从《霸王别姬》和《艺伎回忆录》看中日戏剧文化的异同

A Study on the Similarities and Differences between Chinese and Japanese drama Cultures from the Perspectives of Farewell to My Concubine and Memoirs of a Geisha

中国和日本同为东亚国家,是一衣带水的东方邻邦,两国的文化交流历史源远流长。在戏剧文化方面,中日戏剧文化既反映了亚洲文化共性的一面,又体现着各自文化的个性精髓,呈现出“一衣带水,两种风格”的特征。《霸王别姬》和《艺伎回忆录》都是电影史上的经典巨作,影片充分利用戏剧艺术展现故事情节,蕴含了丰富独特的戏剧文化。本文从对比这两部影片中戏剧文化的异同点角度入手,感受两国戏剧文化的发展规律,体味和理解异彩纷呈的中日戏剧文化,以拓展戏剧文化之研究。

As east Asian countries,China and Japan are neighbors of the East across a narrow strip of water.The two countries have a long history of cultural exchanges.In terms of the drama culture,Chinese and Japanese drama culture not only reflects the common side of the Asian culture,but also embodies the essence of their individual cultures,which displays the characteristics of"two different styles across one strip of water".Farewell to My Concubine and Memoirs of a Geisha are both classic works in the history of cinema.The two films make full use of the dramatic art to show the plot and contain rich and unique dramatic culture.Starting from an analysis of the similarities and differences of the drama culture demonstrated in these two films,this paper tries to reason out the development law of drama culture in the two countries,enhance the understanding of the colorful drama culture in China and Japan so as to expand the study of drama culture.