解析现代京剧《红灯记》的融入式创新

An Analysis on Integrative Innovation of the Modern Peking Opera the Red Lantern

国内学术界对现代京剧《红灯记》的研究主要是将其置于整个文化学语境中,抑或在艺术形态领域对其个别唱段进行探讨,而运用美学理论对其进行研究时,则更多地将视野放宽到整体现代京剧上,而鲜有对该剧进行细致的个案分析。本文从美学的视角,采用实证的方法和历史与逻辑相结合的思辨方式,探寻该剧音乐布局的形式美构成的主要因素,即融入新鲜语汇的创新方法。

Most domestic research studies on the modern Peking opera the Red Lantern focus on its specific arias either in the context of culture,or in the domain of artistic forms,whereas the studies from the perspective of aesthetic theory focus usually takes a broader horizon and focus on modern Peking opera as a whole.In this paper,the arias are analyzed in terms of it beauties in form from the perspective of aesthetics,adopting empirical methods and the combination of historical and logical enquiries which displays the ways of innovation with new glossarial embedding.