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审美过程中的回味

Aftertaste in Aesthetic Process
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摘要 回味是审美主体在审美感悟、判断之后的审美创构步骤,体现了中国独特的"进入式"审美路径和历史观。回味的对象是经过记忆加工过的意象,与中国诗歌创作中"赋、比、兴"的修辞方式契合。在回味过程中,审美主体调动直接经验和间接经验,经契机的中介,在时间上进行延缓,在次数上经过重复后激发联想,物我进行深切的交融。回味不仅是审美过程中的重要步骤,而且形成了"怀古诗"的典型抒情路径,具有现代价值。 Aftertaste is the aesthetic creation step of aesthetic subject after aesthetic perception and judgment,which embodies the unique aesthetic path and historical view of China.The object of aftertaste is the image processed by memory,which is consistent with the rhetoric of Fu,Bi,Xing in China.In the aftertaste process,the aesthetic subject mobilizes the direct experience and the indirect experience,through the intermediary of the opportunity,arouses the association after the delay of time and the repetition of times,and deeply blends the thing with the self.Aftertaste is not only an important step in the aesthetic process,but also forms a typical lyric path of History-Intoned Poetry,which has modern value.
作者 江婷 JIANG Ting(Department of Language and Literature,East China Normal University,Shanghai 200241,China)
出处 《上饶师范学院学报》 2020年第5期60-67,共8页 Journal of Shangrao Normal University
关键词 审美 回味 意象 怀古诗 Aesthetic aftertaste image History-Intoned Poetry
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  • 1蒋孔阳,朱立元主编.七卷本《西方美学通史》.上海文艺出版社.1999年版.

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