摘要
大英博物馆藏百纳经巾MAS.856(Ch.lv.0028)[1]是敦煌出土众多织绣纺织品中具有代表性的一件文物,织物织造风格多样、采用多块拼布工艺处理、刺绣艺术多元化的特征明显,分类提取其中织物、刺绣和拼布的外观造型和色彩、工艺处理方式,我们会从中更深入的了解中晚唐时期成熟的织绣技艺独特基因,以及基于该文物表达出来的设计美学。
Andrew bynum in the British museum the towel MAS.856(Ch.Lv.0028)[1]is excavated in dunhuang many representative of needlepoint textiles is a cultural relic,fabric weaving style diversity,using multiple pieces of quilts processing,embroidery art diversified characteristics,classification of extraction of the appearance of the fabric,embroidery and quilting modelling and colour,process approach,we will have a deeper understanding of mature period near the needlepoint skill unique genes,and express the cultural relic based design aesthetics.
作者
黄永利
罗媛媛
牟妮珂
HUANG YONGLI;LUO YUANYUAN;MOU NIKE(Changshu Institute of Technology,School of Textile Garment&Design,Jiangsu Suzhou 215500,China;Changshu Institute of Technology,Suzhou Textile and Cloth Creatice Indastry Research Institute,Jiangsu Suzhou 215500,China;City University of Macao,Faculty of Innovation and Design,Macao 999078,China)
出处
《江苏丝绸》
2020年第5期45-48,共4页
Jiangsu Silk
基金
江苏省教育厅高校哲学社会科学资助项目(2017SJB1398)
常熟理工学院应用型课程《服装创新思维与实践》立项建设项目
教育部2018年第二批产学合作协同育人项目立项项目(201802205060)。
关键词
敦煌
织绣
百纳经巾
设计美学
纹样
技艺
Dunhuang
Silk embroideries.Banna turban
Design aesthetics
Grain appearance
skill