摘要
《千眼千臂观世音菩萨陀罗尼神咒经》是持明密教千手观音法系列佛经中的重要经典。贞观年间的智通、武周及中宗时期的菩提流志、“开元三大士”之一的金刚智都曾翻译过此经。在抄写于公元9—10世纪之间的敦煌遗书P.3920A所载的此经中,密咒的对音风格和前三本迥异,是此经的又一种独立的对音。本文比较唐代四个时期《千眼千臂观世音菩萨陀罗尼神咒经》中的《大身咒》对音字,从全浊声母、次浊声母、浊音清化三个角度讨论四种《大身咒》浊音声母反映的历时语音情况。
The Nilakanthadharani(Dharani of the Bodhisattva with a Thousand Hands and Eyes Who Regards the World’s Sounds with Great Compassion) is an important text of the Vidydhara school of esoteric Buddhist teachings. Many eminent monks of the Tang dynasty, including Zhi Tong, Bodhiruci and Vajrabodhi have translated it. The Dunhuang manuscript P.3920 A also contains a translation of this text. This paper focuses on one dharani of the text, the Da shen zhou, and compares the voiced initials in its Sanskrit version with those in the various Chinese versions, in order to investigate the development of voiced obstruents and sonorants as well as the phenomenon of devoicing during the Tang dynasty.
出处
《中国语文》
CSSCI
北大核心
2020年第6期690-704,767,共16页
Studies of the Chinese Language
基金
国家社科基金冷门“绝学”和国别史项目“金刚智、善无畏梵汉对音谱与汉语中古音研究”(项目编号:19VJX109)的资助。
