《青卞隐居图》“游观”内涵探究

A Study on the Connotation of“Sightseeing”in Seclusion in Bian Mountain

“游观”是古人感悟山水的方式,即通过“纪游”观景、“卧游”畅神,使人的精神心灵与自然山水的灵趣交融为一。《青卞隐居图》是王蒙57岁再度归隐时期所作,描绘的是江苏吴兴卞山的景色。通过探究《青卞隐居图》“游观”之景的幽幻空间表现、“游观”之意的笔墨意象、“卧游”之情的心境表达,可以探寻王蒙“游观”山水的空间、感受和心境。

“Sightseeing”is the way for Chinese ancients to appreciate the landscape,which brings the fusion of the spirit and natural landscape through“real sightseeing”to enjoy the scenery and“virtual sightseeing”to unwind the spirit.Seclusion in Bian Mountain was produced by Wang Meng when he returned to the seclusion at the age of 57,depicting the scenery of Bian Mountain in Wuxing,Jiangsu Province.This paper aims to explore the space,feeling and state of mind of Wang Meng when he visited the landscape by studying the expression of the secluded space,the brush and ink and image of the“real sightseeing”,and the mood expression of“virtual sightseeing”in the painting,Seclusion in Bian Mountain.