文化挪用视域下的对话理论重访

A Revisit of Dialogue Theory from the Perspective of Cultural Appropriation

文化挪用是当今文化研究与文学研究中的热点议题。将对话理论重新纳入文化挪用的视域中来思考,不仅是对文学理论中文化转向的回应,更是在全球化时代中西文化交融与碰撞的背景下对中国文学走出去和如何讲述中国故事的议题的尝试性探索。它使对话理论背后的文化权力斗争意味呈现出来:文本中的对话从来都不是一种纯粹的文本生成策略,而是生存于不同文化背景下的能动主体对于表征权的争夺,而这样的争夺从未停止。

The issue of cultural appropriation is a hot topic in the study of culture and literature at present.Bringing dialogue theory back into the perspective of cultural appropriation is not only a response to the cultural turn in literary theory,but also a tentative exploration of the topic of“going out”of Chinese literature and how to tell Chinese stories in the context of the integration and collision of Chinese and Western cultures in the era of globalization.It makes the cultural power struggle behind dialogue theory appear.Dialogue in text is never a pure strategy of text generation,but a competition for representation right by active subjects living in different cultural backgrounds which never stops.