现代民间绘画的命体延续与主体探求——以腾冲傣族农民画为例

The Continuation of Life and the Exploration of Subject in Modern Folk Painting--A Case Study of Dai Farmer Paintings in Tengchong

云南省腾冲傣族农民画颇具地方族群文化特色,表现出一种强大的艺术生命力;从历时性角度看,地方政治与艺术主体的互利需求是腾冲傣族农民画异地挪用的发生原因,而后随社会变化呈现出从地方文化宣传到民间复魅向度发展的艺术变迁;傣族农民画主体的创作探求是变迁的能动因素,具有技法的实验性、图像的族群性、目的谋生化的特点;以这一独特的艺术景观为个案,以期探讨现代民间绘画的生命发展及主体作用。

The Dai farmer paintings in Tengchong have the characteristics of local ethnic culture and show a strong artistic vitality.From a diachronic perspective,the mutual beneficial demand of local political and artistic subjects is the reason for the misappropriation of Dai peasant paintings in Tengchong.Then,with the change of society,artistic change from local cultural propaganda to folk charm development.The creative exploration of the main body of Dai farmer paintings is a dynamic factor of change,which has the characteristics of experimental technique,ethnic character of image,and profit-oriented purpose.Taking this unique artistic landscape as a case,this paper aims to explore the life development and main role of modern folk painting.