摘要
中岛敦文学作品中的悟净形象取材于中国古典文学《西游记》,但却形似神不似。文章主要以作品《悟净出世》为分析对象,以作品中悟净形象的塑造为切入点,回归文本语境,从中岛敦对悟净形象的改造及运用探讨中岛敦文学中不安意识的艺术呈现样态。《悟净出世》中的“悟净”一名的使用具备强烈的隐喻意,而艺术化的悟净形象正可谓是不安意识的化身。
The image of Wujing in Nakashima Dun’s literary works is based on the classical Chinese literature Journey to the West.But it just lookslike,yet isn’t alike in spirit.This paper mainly focuses on the work Wujing Born,regards the creation of Wujing image as the breakthrough point,returns to the text context,and explores the artistic presentation of insecurity consciousness in Zhongdao Dun’s literature through the transformation and application of Wujing image in his works.The name of Wujing in Wujing Born has a strong metaphorical meaning,and the artistic image of Wujing is justly the incarnation of insecurity consciousness.
作者
吴晓莉
汪南雁
WU Xiaoli;WANG Nanyan(School of Foreign Languages,Anhui University of Science and Technology,Huainan 232001,China)
出处
《安徽理工大学学报(社会科学版)》
2020年第6期63-66,共4页
Journal of Anhui University of Science and Technology:Social Science
基金
2019年度日本广岛大学访学研究阶段性成果之一
2015年度安徽理工大学青年教师科学研究基金资助项目:中岛敦文学中的不安意识(QN201528)。
关键词
中岛敦文学
悟净
形象
不安意识
Nakashima Dun Literature
Wujing
Image
Insecurity Consciousness