摘要
《气球》代表了万玛才旦导演迄今为止电影创作的最高艺术水准,是值得期待的高口碑电影。本次访谈从《气球》的导演构思和文本意义出发,结合导演之前的几部作品,解析万玛才旦导演的电影文化表达,重点讨论了《气球》中的几个核心意象与超现实段落,并对电影中人物设置、历史文化、情节推动、影像表达,以及影片中主人公面临的信仰与现实冲突的困境等进行了较为细致的分析与读解。
Balloon has been hailed as the highest artistic achievement of Pema Tseden’s filmmaking to date, and is a highly acclaimed film worth waiting for. This interview starts from the conception and textual meaning of Balloon, and analyzes the cultural expressions of Pema Tseden’s films in light of the director’s previous works, focusing on several core topos and surreal sequences in Balloon. It also discusses, analyzes, and interprets the character setting, historical culture, plot promotion, image expression, as well as the dilemma between belief and reality faced by the protagonist in this film.
出处
《电影艺术》
CSSCI
北大核心
2020年第6期88-93,共6页
Film Art
关键词
意象
藏区
困境
超现实
topos
Tibetan region
dilemma
surreal
