摘要
作为中国传统绘画的类别之一,历史悠久的花鸟画源于人类对自然宇宙的认知与思考。艺术家通过主体与自然的观照,借自然之境传达生命的自由追求。在画家的心境映照中,艺术超越现实而回归到万物存在的本源,通过审美将人类心灵的情趣化为一种生活美学的表现方式,实现自然与生命的圆融。在当下飞速发展的数字化时代,花鸟画中的自然世界与审美精神,引领人们寻得返璞归真的愉悦与回归诗意的路途。
As one of the schools of traditional Chinese painting,the flower-and-bird paintings with a long history are developed from man's understanding and thinking of the natural universe.Through the contemplation of the subject and nature,artists convey the freedom of life through nature.In the painter's mind,art surpasses reality and returns to the origin of all existence.It realizes the harmony between nature and life,through the aesthetic taste of the human mind into a way of expression of life aesthetics.In today's fast-moving digital age,the natural world and the aesthetic spirit in flower-and-bird paintings lead people to find the pleasure of original simplicity and to return to the road of poetic life.
作者
刘晓宁
刘树允
LIU Xiao-ning;LIU Shu-yun(Office of Academic Research,Cangzhou Normal University,Cangzhou,Hebei 061001,China;College of Fine Arts,Cangzhou Normal University,Cangzhou,Hebei 061001,China)
出处
《沧州师范学院学报》
2020年第4期94-96,100,共4页
Journal of Cangzhou Normal University
基金
2020年度河北省社会科学发展研究课题“古代文人画中的生活美学及当代价值研究”,编号:20200402052。
关键词
花鸟画
自然世界
审美精神
flower-and-bird painting
the natural world
the aesthetic spirit