“从舞剧诞生时就有文学家的介入”——罗怀臻访谈

“There has been Literary Intervention since the Birth of the Dance Drama”: Interview with Luo Huaizhen

罗怀臻在访谈中认为艺术的最高境界,包括舞蹈的最高境界,就是发现人性。文学性与舞蹈性并不是矛盾的,越有文学性,就越具有舞蹈性,这两者绝不是对立的。文学家对舞蹈的介入,从舞剧诞生的那一天起就开始了。关于当代艺术作品,罗怀臻认为不仅应有"当代性",也要具有"现代性"。现代性不是一个时间概念,是一个品质概念,现代性是一种发展性的价值观。作品有当下感也要有现代性,当下感是拥有空间,现代性是拥有时间。关于中国学派与国际传播,罗怀臻认为要反思那种习惯性的理论——"越是民族的,越是世界的"。这个说法没错,但前提是必须符合人类共同的价值取向。体现民族化、地域化的作品,在国际化、现代化的大平台上展示自己个性的同时,还要经受得住现代价值观和审美观的检验。罗怀臻认为艺术教育领域要进行整体性反思,还是要以激活个体生命当中的表达欲望为动机。

Luo Huaizhen believes in the interview that the highest state of art,including the highest state of dance,is to discover human nature.Literariness and dancing are not contradictory.The more literariness,the more dancing.The two are by no means opposite.The writer’s involvement in dance began from the day the dance drama was born.As for contemporary art works,Luo Huaizhen believes that they should not only be "contemporary",but also be "modern".Modernity is not a concept of time,but a concept of quality.Modernity is a developmental value.The work has the sense of the present and modernity.The sense of the present is the possession of space,while modernity is the possession of time.As for the Chinese school and international communication,Luo Huaizhen thinks that the habitual theory should be reconsidered-"The more national,the more global".That’s true,but only if it’s consistent with common human values.The works that embody the nationality and regionalization should not only show their own personality on the international and modernized platform,but also stand the test of modern values and aesthetics.Luo Huaizhen thinks that art education should reflect on the whole,or should be motivated by the desire to express in the individual’s life.