中国汉唐古典舞博袖女班课程的文化内涵探析

A Probe into the Cultural Connotation of Bo-Sleeve Female Course of Chinese Han-Tang Classical Dance

中国的古典舞蹈事业正值勃发之际,种种关于如何在中国传统经典性艺术美学视野下构建中国古典舞蹈等问题的思考,也将中国古典舞蹈的研究范围扩展至关于整个中国传统文化和中国古典美学的研究层面。基于此,通过聚焦中国汉唐古典舞博袖女班课程的文化内涵,探析"博袖"作为文化符号纳入课程的文化构建,分析"物我交融,诗意尽显"的课程审美特征,多方位分析博袖女班课程以文化为核心的创制建构思路,将思路延展至当代中国古典舞蹈艺术创作的层面,探讨博袖女班课程对于当下社会的价值与意义。

As the Chinese classical dance is flourishing in China,various thoughts on how to construct Chinese classical dance in the framework of traditional Chinese classical aesthetics have expanded the research scope of Chinese classical dance to the level of overall traditional Chinese culture and Chinese classical aesthetics.In view of this,this paper focuses on the cultural connotation of bosleeve female course of Chinese Han-Tang classical dance,discusses the integration of "bo-sleeve"as a cultural symbol into the curriculum construction,explores its course aesthetic characteristics of "integrating into the environment and demonstrating poetic beauty",and analyzes its guideline of regarding culture as the center in the bo-sleeve female course construction from multiple perspectives.Meanwhile, it extends to the contemporary Chinese classical dance choreography, and discusses the value and significance of bo-sleeve female course for the current society.