摘要
世人对爱尔兰剧作家J. M.辛格的关注多集中于戏剧,而忽视了《阿伦群岛》所代表的人类学文学创作阶段。1898至1902年,辛格五次走进爱尔兰西部阿伦岛群,以田野考察的方式,从岛屿文化的内部体验并记录古凯尔特文明的活态存在,完成了这部人类学视野下的诗学文本。在这部作品中,辛格透过岛民的仪式行为、神话思维及异教信仰,探究凯尔特民族精神的本源,进行民族及自我精神的文化寻根。
Critics’attention to J.M.Synge mainly concerns his plays,taking The Aran Island as a prefacing stage to his later dramatic writings and neglecting its value in itself.Visiting the Aran Islands in the west of Ireland from 1898 to 1902,Synge lived with the islanders and experienced the"primitive"life in the form of field work there,a living presence of the Celtic culture.Through his observation and recording of the ritual activities,mythical imaginations and pagan beliefs of the islanders,Synge explored the spiritual essence of the Celtic Ireland in a root-seeking journey.
出处
《国外文学》
CSSCI
北大核心
2020年第4期135-143,157,共10页
Foreign Literatures
基金
国家社科基金重点项目“当代西方戏剧中的神话重述与共同体研究”(项目编号:20AWW007)的阶段性成果。
