摘要
四川诗人兼音乐家叶伯和的《诗歌集》,从出版时间看是中国新诗史上的第二部个人别集。《诗歌集》的体例分为“诗类”和“歌类”,“歌类”新诗具有的音乐性与抒情性成为《诗歌集》显著的特点之一;“歌类”挖掘了初期白话新诗的发展资源,丰富了新诗的“听觉体验”。与《尝试集》《蕙的风》等被奉为早期经典的新诗集并不断再版的命运不同,《诗歌集》因在新诗“发生”的背景下未能真正进入新诗坛场域,使得它未获得相应的社会反响,艺术价值也被忽略,这样的现象或能为我们理解早期新诗坛的丰富性提供新的视角。
From the date of publication,Sichuan poet and musician Ye Bohe’s Poetry Collection is the second personal collection in the history of Chinese modern poetry.Ye Bohe divides the style of Poetry Collection into“poems”and“songs”.The musicality and lyricism of“songs”modern poems have become one of the notable characteristics of Poetry Collection.“Songs”actually hide the resources for the development of early vernacular modern poems and enrich the“auditory experience”of modern poems.Different from the fate of Attempting Collection and The Wind of Hui,which were regarded as early classic modern poem collections and continued to be republished,Poetry Collection failed to enter the field of modern poetry under the background of the“occurrence”of modern poems.The corresponding social response has not been obtained,and the value of art has been greatly ignored.This phenomenon may provide us with a new perspective for understanding the richness of the early modern poetry.
作者
陈佳
CHEN Jia(School of Literature and Journalism, Sichuan University, Chengdu, Sichuan 610065, China)
出处
《宜宾学院学报》
2020年第11期35-42,共8页
Journal of Yibin University
关键词
“歌类”
叶伯和
诗歌集
“songs”
Ye Bohe
Poetry Collection