摘要
在建筑作品评价中,形式往往是大众关注的第一要素,建筑形式是一栋建筑率先被认识到的部分,往往表现出该建筑的特色并反映出其建造地域与建造方式。建筑的形式由造型、色彩、材质、细部等决定,并被赋予一定的时代要素和文化要素。建筑形式的意义是在创作过程中被实际情况和使用者所一步步赋予的,同时也反过来以最突出的方式反映着该建筑的特点。文章以路易斯·康的16个代表作为例,剖析路易斯·康代表性建筑感性评价背后的形式逻辑,探讨建筑形式与建筑直观感受间的双重关系。
In the evaluation of architectural works,form is often the first element of public attention.Architectural form is the first part of a building to be recognized.It often shows the characteristics of the building and reflects its construction area and construction method.The form of the building is determined by the shape,color,material,details,etc.,and given certain elements of the times and culture.The meaning of the architectural form is given step by step by the actual situation and users in the design process,and it also reflects the characteristics of the building in the most prominent way.This article takes Louis Kahn’s 16 representatives as an example to analyze the formal logic behind the emotional evaluation of Louis Kahn’s representative architecture,and explores the dual relationship between architectural form and architectural intuitive feeling.
出处
《建筑与文化》
2020年第12期204-206,共3页
Architecture & Culture
关键词
路易斯·康
建筑形式
造型语言
形式要素
形式来源
Louis Kahn
architectural form
massing language
massing elements
source of form