王世贞“格调说”内涵探赜

On the Connotation of Wang Shizhen’s“Style Theory”

“格调说”是明代诗文批评理论的核心范畴。作为后七子之一的王世贞,其“格调说”在李东阳、李梦阳、李攀龙等人基础之上有了新的发展,他在格、调之外,注重才、思的融入,同时强调创作主体自身情性的流露,以求文章整体上达到彬彬之态,情法兼具,这克服了“格调说”之弊病,促进了复古文学的新发展。王世贞将新的“格调说”理论付诸具体的文学批评实践,并使之成为其评论文章和作者高下的重要标准之一。王世贞的“格调说”有其自身内涵和价值,是王世贞诗文理论的重要组成部分。

“Style Theory”is the core category of poetry criticism in Ming Dynasty.As one of the leaders of the“Hou Qi Zi”,Wang Shizhen developed“Style Theory”on the basis of Li Dongyang,Li Mengyang,Li Panlong,etc.Wang Shizhen emphasized the integration of talent and thought,and the revelation of the writer’s own temperament,in order to achieve the coordination of emotion and methods in writing,which saves the defect of“Style Theory”and promotes the new development of the Retro Literature.Wang Shizhen put his new theory of“style”into practice in literary criticism,and it has become one of the important standards of his critical articles and authors.Wang Shizhen’s“Style Theory”has its own connotation and value,which is an important part of Wang Shizhen’s poetry theory.