论中国歌剧之“戏”与“情”——从歌剧《小二黑结婚》改编谈起

On the“Performance”and“Emotion”of Chinese Opera:From the Adaptation of the Opera“Xiao Erhei’s Marriage”

中国歌剧经过本土文明的培育,在“戏”中孕育文明,在“情”中连接古今。分析中国歌剧发展的现状,从文学剧本的改编策略对经典歌剧《小二黑结婚》进行研究,可以从“戏”与“情”两方面探索中国歌剧发展。对歌剧《小二黑结婚》的研讨,主要从歌剧剧本“增添”与“删减”的文本策略;矛盾“经营”与“入戏”体验;“戏”与“情”的流转关系等方面展开,并从“情”之高雅与“戏”之通俗探讨中国歌剧创作、表演、欣赏时需注意的问题。

Chinese opera has been nurtured by local civilization,and it has nurtured civilization in“performance”and connected ancient and modern times in“emotion”.Through the analysis of the current situation of Chinese opera development,the classic opera“Xiao Erhei’s Marriage”is studied from the perspective of the literary script adaptation strategy,and the relevant enlightenment about the development of Chinese opera is explored from two aspects of“performance”and“emotion”.In the study of Chinese opera and the opera“Xiao Erhei’s Marriage”,the enquiry is made into the text strategy of“addition”and“deletion”in the opera script,the contradictory experience of“management”and the perception of“integrating into play”,the relationship of common development and promotion between“performance”and“emotion”.And the issues that should be paid attention to in the creation,performance,and appreciation of Chinese opera are discussed from the perspective of the elegance of“emotion”and the popularity of“performance”.