论朝鲜文人的文化心理及场域呈现——以崔溥《漂海录》中的诗词观念为例

A Study on the Cultural Psychology of Korean Literati and the Field Presentation:Focused on Cui Pu's Poetry Conception in Records on Ocean

朝鲜文人崔溥于明弘治年间漂流至浙江台州,返国后撰《漂海录》。在书中崔溥表现出某些轻视诗词创作的观念,而事实上,崔氏有着深厚的中国传统文学基础,对于当时明朝与朝鲜使节往来之诗词唱和亦非常熟悉,其本人也能创作汉诗。通过多维透视这种观念与文学实践的矛盾性,可以探究中国文学的传播、影响以及朝鲜文人复杂的文化心理,从而展现以中国文学为参照系、根据具体场域来考察研究域外文学的重要性。

Cui Pu,a Chosǒn scholar,drifted to Taizhou of Zhejiang Province in the Hongzhi Period of Ming Dynasty.Records on Ocean,which Cui wrote after returning to his country,showed some conceptions of despising poetry writing.But actually he learned much about Chinese traditional literature and was good at writing Chinese poems.In addition,he was acquainted with the poems wrote and exchanged by the envoys between China and Chosǒn.The contradiction,which can be understood from multidimensional perspectives,reflected the literary communication and influence from China to Chosǒn,and especially the complicated cultural psychology of Chosǒn literati.It is important that researching Sino-literature in ancient Korea on the basis of comparing with Sino-literature and specific fields.