故宫藏中国古代绘画的数字展示案例研究

Research on the Digital Display of Ancient Chinese Paintings in the Palace Museum

结合故宫博物院藏两幅(组)绘画珍品的媒介展示,分析了中国古代绘画媒介展示中的技术策略、内容呈现和审美表现;通过将两个版本的《韩熙载夜宴图》进行对比,由于受到诠释主体的立场、期待视野以及展示场合等多种外部因素影响,最后呈现出来的面貌截然不同,认为无论媒介展示文本如何丰富多变,数字化作品始终都与原作有呼应关系,且具有新的视觉体验价值。

With the digital display of two rarity paintings in the Palace Museum, this article analyses the technical strategy, content presentation, aesthetic expression in the media display of ancient Chinese artwork. By comparing two versions of Han Xizai Evening Banquet under multiple external factors such as different points of view, expectation horizon, display settings. The artwork can appear in totally different ways. In conclusion, digitalized artwork should always have connections with the original one and have new visual experience value, no matter how various the displaying media is.