摘要
In his excellent new book Staging Personhood, Wang Guojun explores theatrical costuming not just for what it can tell us about performance history, but as a way of examining attitudes toward changes in ethnic and gender relations in the Qing dynasty. As Wang himself puts it in his epilogue, " Since hairstyle and clothing were at the center of ethnic conflicts, theatrical costuming served as an effective -if not the only-avenue for theatrical producers to respond to changing ethnic and gender relations."
作者
王安
Ann Waltner(University of nnesota)
出处
《国际比较文学(中英文)》
2020年第4期771-773,共3页
International Comparative Literature