摘要
公众审美文化从自然的“祛魅”到“返魅”的转变是新时代审美文化发展的一个重要特征。既是审美文化发展的必然趋势,也是解决生态危机思维困境的现实性要求,是保护生态环境,实现可持续发展的必要措施。公众审美文化的塑造与重构需要从四个维度把握,即在信仰维度上,要恢复自然的神圣性;在修养维度上,要提高生态文化境界;在方式维度上,采用诗性直观方法;在实践维度上,要承担生态文化责任。
The transformation of public aesthetic culture from natural“Disenchantment”to“Reenchantment”is an important feature of the development of aesthetic culture in the new era.It is not only the inevitable trend of the development of aesthetic culture,but also the realistic requirement to solve the dilemma of ecological crisis thinking.It is also a necessary measure to protect the ecological environment and realize sustainable development.The shaping and reconstruction of public aesthetic culture needs to be grasped from four dimensions,namely,in the dimension of belief,the restoration of the sanctity of nature,the improvement of ecological cultural realm in the dimension of cultivation,the adoption of poetic and intuitive methods in the dimension of mode,and the responsibility of ecological culture in the dimension of practice.
作者
刘伟杰
闫文辉
LIU Wei-jie;YAN Wen-hui(School of Marxism,Northeast Forestry University,Harbin 150040,China)
出处
《佳木斯大学社会科学学报》
2020年第6期41-44,48,共5页
Journal of Social Science of Jiamusi University
基金
黑龙江省教育科学规划重点课题:“高校‘微思政’教学模式研究”(GJB1320418)
东北林业大学教育教学研究项目:“《形势与政策》课‘云端课堂’建设的研究与实践”(DGY2020-19)
中央高校基本科研业务费项目:“习近平生态社会治理重要论述研究”(2572020DZ02)。
关键词
审美文化
祛魅
返魅
aesthetic culture
disenchantment
reenchantment