抗战词坛论纲

Research on the Anti-Japanese War Poetry in the Ci World

抗战词坛研究,是创作时间框定在1931至1945年,地域囊括整个中国的词史研究。它既是抗战文学不该忽视的重要成员,更是百年词史的精彩一页。国家不幸诗家幸的历史契机,使十四年里涌现出众多摆脱模仿窠臼,走向成熟的大词人,并打破晚清民初词坛梦窗风一统天下的格局,创立以稼轩风为主流及其他风格并存的新生态。诗词固有范式及功能不可轻视,而时间短、空间大及群体分布、文献存在等词坛特质,需要从地域、期刊、社团、性别等多元视角切入,并配合文史互证、微观史学法,以便形成立体化的考察。

The ci study of Anti-Japanese War includes the ci history research in China and the creation time of ci works is delimited from 1931 to 1945.It is not only an important member of Anti-Japanese War literature that should not be ignored,but also a wonderful page of“the ci history of one hundred years”.National misfortune brings the historical opportunity for ci writers.Great ci writers who get rid of the imitation and become mature emerge in large numbers during the 14 years.They break Mengchuang's pattern of“unifying the world”in the ci circle of the late Qing dynasty and the early Republic of China and create a new ecology co-existing with Jiaxuan's style as the mainstream and other styles.We shouldn't ignore the inherent paradigm and function of poetry.Due to the characteristics of the ci world such as short time,large space,group distribution,literature existence and so on,we should draw on the methods of“mutual evidence between literature and history”and“microscopic history”in order to form a three-dimensional investigation from the multiple perspectives of region,journal,gender,community and so on.