井伏鳟二小说的陌生化叙事与美学向度研究

A Study on the Defamiliarization Narration and Aesthetic Dimension of Ibuse Masuji's Novels

陌生化叙事是一种通过打破读者感知的自动化、机械化、习惯化,在文本与读者间筑起高墙,延宕理解,从而让读者获得全新感受的文学表现手法。日本现代著名作家井伏鳟二一生著述甚多且佳作甚丰,在日本文坛影响力极大。他深谙文学创作技巧,在诸多作品创作中通过运用陌生化的叙事手法构建起井伏文学陌生化的美学体系。以其代表作为例,通过细读文本、文本比较等方法从叙事语言的陌生化、叙事视角的陌生化以及叙事结构的陌生化三大视角考察井伏鳟二小说的陌生化叙事技巧,并深入探讨陌生化叙事的美学向度。

Defamiliarization narration is a kind of literary expression that breaks the automation,mechanization and habituation of the reader's perception,builds a high wall between the text and the reader,and delays the understanding,so that the reader can get a new feeling.The famous modern Japanese writer,Ibuse Masuji has written a lot of works and excellent works in his life,and has a great influence in the Japanese literary world.He is well versed in the skills of literary creation and constructs the aesthetic system of defamiliarization of Ibuse Masuji's literature through the use of defamiliarization narrative techniques in many works.Taking its representative as an example,this paper examines the defamiliarization narrative skills of Ibuse Masuji's novels from three perspectives:the defamiliarization of narrative language,the defamiliarization of narrative perspective and the defamiliarization of narrative structure by means of close reading and text comparison.and in-depth discussion of the aesthetic dimension of defamiliarization narrative.