敦煌莫285窟鲜卑族男子圆领袍服底摆探疑

Investigation on the Bottom of Xianbei Men's Round-Collar Robe in Dunhuang Grottoes 285

敦煌莫高窟莫285窟的壁画上的供养人形象是研究鲜卑族服饰十分珍贵的资料,文章以敦煌莫285窟壁画上的鲜卑族供养人为研究对象,对圆领袍服底摆款式进行探究。通过图像法、对比法对男子圆领袍服底摆三角形面料的归属问题进行探索。圆领袍服的三角形底摆是受到中原画风的影响,是画师为了更好地体现生动形象的人物动态所进行的艺术创作。莫285窟内绘画风格的不同,反映了此时正处于西域画风与中原画风交融的激荡时期。

The frescoes in Cave 285,Mogao Cave,Dunhuang,are a valuable resource for the study of Xianbei clothing.In this paper,we investigate the attribution of the triangular fabric at the bottom of the men's round-necked robes by the image method and the comparison method,using the Xianbei supporters on the frescoes of Cave 285 in Dunhuang as the object of study,The triangular bottom hem of the polonecked robe was influenced by the Chinese painting style;an artistic creation made by the artist to better represent the dynamics of the vivid figures.The different styles of painting in Cave 285 reflect a period when the Western style of painting was in the midst of a turbulent fusion with the Central Plains style of painting.