鞠守镐舞蹈艺术创作论

On the Dance Art Creation of Kook Soo-ho

鞠守镐是韩国传统舞大师、无形文化财传授者,更是重构民族艺术形式、融通东西文化的创作者。纵观其舞蹈创作历程,他的创作经历了一次嬗变,凸显出三重面向,即由1980年代的“民俗性”转向1990年代的“历史性”与“世界性”。1980年代,鞠守镐深受农乐艺术与巫俗文化影响,其作品具有较强的民俗性,根植于特定风土的生活实践。1990年代以来,其创作兼具开放性与内聚力,在两个方向上展开:一方面“灵根重塑”,对韩国舞蹈进行历史化寻根与再造;另一方面“遭遇世界”,在民族视域与世界视域的互动中构造韩国舞蹈新形态,提升民族舞蹈的国际影响力与竞争力。在此过程中,鞠守镐的创作突破了独特与普遍、民族与世界的对立结构。其舞蹈创作的历程与方法、经验与原理,能够为中国艺术工作者提供一定启示。

Kook Soo-ho is a master of South Korean traditional dance and an intangible cultural imparter.Additionally,he is a creator who reconstructs national art forms and integrates eastern and western culture.Throughout the course of his dance creation,he has undergone a transmutation which highlights three aspects,that is,from the“folk custom”in the 1980s to the“historic nature”and“worldliness”in the 1990s.With the traits of folklore,his dance was rooted in the life practices of a specific region,which was deeply influenced by the farming art and witchcraft culture in the 1980s.Since the 1990s,his works have been both open and cohesive,and developed in two directions:on the one hand,he explored the historical root of South Korean dance and reconstructed it;on the other hand,he constructed the new forms of Korean dance in the interaction between the national and the world vision to enhance the international influence and competitiveness of the national dance.In this process,Kook Soo-ho s creation broke through the antagonistic structure between uniqueness and universality,nation and world.The course,methods,experience and principles of dance creation can provide some enlightenment for Chinese artists.