“先验”·“直观”·“感情”——试论西田几多郎的美学思想

“Transcendental”“Intuition”“Sensation”--On Aesthetic Ideology of Nishidaki Taro

本文围绕西田几多郎美学著作《艺术与道德》中的几个核心概念“先验意识”“艺术直观”“纯粹感情”等,从美的本质、美的创造和美的对象等几个方面,结合其哲学理论探讨了他的美学思想。认为西田试图通过先验的普遍有效性将主客观统一起来探寻美的本质,并在艺术直观的阐释中思考纯粹感性、纯粹意识与艺术创造,解明了感情的纯粹状态、美的对象和艺术性的内在逻辑关系。

Focusing on several core concepts of“transcendental consciousness”,“artistic intuition”,“pure sensation”in Nishidaki Taro’s aesthetic work Art and Morality,from aspects of essence,creation,and objects of aesthetic,this paper devotes to discuss the author’s aesthetic ideology by combining his philosophy theory.It is believed in this paper that Nishida tried to unify subjectivity and objectivity to explore the essence of aesthetic through the universal validity of the transcendental,to investigate pure sensibility,consciousness and artistic creation in the process of interpreting artistic intuition,and finally unravel the inner logical relationship between the pure state of sensation and the objects and artistry of aesthetic.