摘要
跨文化艺术史是艺术史学科近年来出现的最有潜力的一种研究方法。李军著《跨文化的艺术史:图像及其重影》是跨文化艺术史的一个经典之作。本文从该书的写法、它所使用的方法论,以及艺术史写作与艺术史家之间的关系三个维度,评论了这部新著。
Among all the emerging approaches in art historical studies in recent years,transcultural art history is the one with the greatest potential.Li Jun’s A Transcultural History of Art:On Image and Its Doubles is representative of this exciting new trend.This tripartite review discusses the book in-depth,focusing on its writing style,methodology,and its implications for future turns in the field.
出处
《艺术设计研究》
CSSCI
2020年第6期117-121,共5页
Art & Design Research