舞蹈表演理论探秘

An Exploration on Dance Performance Theory

多年来舞蹈院校都在设立舞蹈表演课,探索表演理论的奥秘。但事实证明,斯坦尼斯拉夫斯基表演体系解释不了舞蹈表演现象;布莱希特戏剧体系和中国戏曲虽然有接近之处,其理论也有借鉴之处,但仍不足以构成舞蹈表演理论基础与表演体系方法论。用控制论、方法论来研究舞蹈表演原理,恰与美国科恩、加拿大妮诺斯卡・戈梅斯和黛安・卡里尔等人的研究与基本观点相似,认为只有信息论、控制论等有关反馈理论,才能较准确地解释和描述舞蹈表演的原理。它对舞蹈教育来说,并非一门所谓“表演课”(事实上无必要),而是一堂“舞蹈表演理论课”。

Chinese dance schools have been teaching dance acting and exploring its theories for years.Yet results show that Stanislavsky’s performance system cannot explain dance performance.Brecht’s theatre system has some similarity to that of Chinese opera and can offer some references,but is still inadequate for constructing the theoretical and methodological foundation of dance performance.Coinciding with the researches carried out by Robert Cohen in the U.S.and Ninoska Gomez and Diane Carriere in Canada,this article applies cybernetics to the principles of dance performance and holds that only control theory and the idea of"feedback"in communication theory can explain and describe the principles of dance performance accurately.For dance education,dance acting is not a so-called"acting program"(which is also not necessary),but rather a"theoretical program".