摘要
中古时期,由于动乱造成南迁人口迁徙与中原乐工迁移聚合建康,南地音乐文化面貌得以改观与提升,中古伎乐得以转型与新生。以建康为中心形成的全国性音乐文化基地,在特殊政治格局、民族形势和背景下,延续了汉晋音乐文化传统,重新完善了与汉晋传统相适应的、系统化的音乐制度,又在回传、反哺和补充北方音乐文化中产生重要历史作用,保证了隋唐音乐之用。
In the Middle Ancient Times,due to the unrest of the society,many people and musicians from the Central Plains migrated to the southern city,Jiankang.From then on,southern music culture was changed and developed,and the musical dance of middle ancient times was transformed and renewed.Under special political pattern,ethnic situation and background,the national music culture based Jiankang as a center continued the music culture tradition of the Han and Jin dynasties,improved the systematic music system corresponding to the tradition of the Han and Jin dynasties,and played an important historical role in influencing,nourishing and supplementing the northern music culture,thus ensuring the use of music in Sui and Tang dynasties.
出处
《星海音乐学院学报》
CSSCI
北大核心
2020年第4期5-18,共14页
Journal of Xinghai Conservatory of Music
基金
2011年国家社会科学基金艺术学项目“中古良贱乐人社会身份的形成与中古伎乐的转型”(11BD041)。
关键词
中古时期
建康
乐工
伎乐
Middle Ancient Times
Jiankang
Musician
Jiyue